1911 - Movie
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1911, also known as Xinhai Revolution and The 1911 Revolution, is a 2011 Chinese historical drama film. The film is a tribute to the 100th anniversary of the Xinhai Revolution. It is also Jackie Chan's 100th film in his career. Besides starring in it, Chan is also the executive producer and co-director of the film. Co-stars include Chan's son Jaycee Chan, Li Bingbing, Winston Chao, Joan Chen and Hu Ge. This film was selected to open the 24th Tokyo International Film Festival.
The story closely follows key events of the Xinhai Revolution, with focus on Huang Xing and Sun Yat-sen. It begins with the Wuchang Uprising of 1911 and follows through historical events such as the Second Guangzhou Uprising on 27 April 1911, the deaths of the 72 martyrs, the election of Sun Yat-sen as the provisional president of the new Provisional Republic of China, the abdication of the last Qing dynasty emperor Puyi on 12 February 1912, and Yuan Shikai becoming the new provisional president in Beijing on 10 March 1912. |
China: A Century of Revolution - Documentary
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China: A Century of Revolution is a six-hour tour de force journey through the country's most tumultuous period. First televised on PBS, this award-winning documentary series presents an astonishingly candid view of a once-secret nation with rare archival footage, insightful historical commentary and stunning eyewitness accounts from citizens who struggled through China's most decisive century.
China in Revolution charts the pivotal years from the birth of the new republic to the establishment of the PRC, through foreign invasions, civil war and a bloody battle for power between Mao Zedong and Chiang Kai-shek. The Mao Years examines the turbulent era of Mao's attempts to forge a "new China" from the war-ravaged and exhausted nation. Born Under the Red Flag showcases China's unlikely transformation into an extraordinary hybrid of communist-centralized politics with an ever-expanding free market economy. Monumental in scope, China: A Century of Revolution is critical viewing for anyone interested in this increasingly powerful and globally influential country. |
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Devil's on the Doorstep - Movie
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Devils on the Doorstep (simplified Chinese: 鬼子来了; traditional Chinese: 鬼子來了; Japanese: 鬼が来た!; literally "the devils are here") is a 2000 Chinese black comedy film directed, co-written and produced by Jiang Wen, starring Jiang himself, Kagawa Teruyuki, Yuan Ding and Jiang Hongbo. Shot in black and white to mimic old-time war movies, the film premiered at the 2000 Cannes Film Festival on 12 May and clinched the Grand Prix but was subsequently banned in its home country.
Inspired by the novel Survival by You Fengwei, Devils on the Doorstep is set in the last years of the Second Sino-Japanese War during World War II and tells the story of a Chinese villager who is forced by a mysterious figure to take custody of two prisoners from the Japanese Army (Teruyuki and Yuan). Fearing both the mystery man and the Japanese, the village falls into a dilemma over what to do with the two prisoners. Contrary to its title, Devils on the Doorstep is not at its core an anti-Japanese war film. In Jiang's own words, the film shows how Chinese literature and film has perpetuated an attitude of blaming the aggressor and casting the Chinese population as passive victims of aggression. Jiang hopes that the film illuminates this common human psychological trait of blaming others for disaster that goes beyond Chineseness. |
Farewell My Concubine - Movie
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Farewell My Concubine is a 1993 Chinese drama film directed by Chen Kaige and one of the central works of the Fifth Generation movement that brought Chinese film directors to world attention. Similar to other Fifth Generation films like To Live and The Blue Kite, Farewell My Concubine explores the effect of China's political turmoil during the mid-20th century on the lives of individuals, families, and groups. In this case, the affected are two stars in a Peking opera troupe and the woman who comes between them.
Farewell My Concubine spans 53 years, presenting the lives of two men against the historical backdrop of a country in upheaval. It is about the story of Dieyi and Xiaolou and how their lives are affected by the Japanese invasion of China in the 1930s and the victory of the Communists in 1949. Hong Kong actor Leslie Cheung was used in the film to attract audiences because melodramas are not a popular genre. Also, due to Gong Li's international stardom, she was cast as one of the main characters in the film. Farewell My Concubine remains to date the only Chinese-language film to win the Cannes Palme d'Or. |
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Mao's Last Dancer - Movie
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Mao's Last Dancer is a 2009 Australian film based on professional dancer Li Cunxin's autobiography of the same name. Li Cunxin is portrayed by Birmingham Royal Ballet Principal Dancer Chi Cao (simplified Chinese: 曹驰; traditional Chinese: 曹馳; pinyin: Cáo Chí), Australian Ballet dancer Chengwu Guo (Chinese: 郭承武; pinyin: Guō Chéngwǔ) and Huang Wen Bin. The film also stars Bruce Greenwood, Kyle MacLachlan, Joan Chen, Wang Shuangbao and Amanda Schull.
In a village of China, the eleven year-old Li Cunxin is selected by the Communist Party to study ballet at the Madame Mao's Dance Academy in Beijing. Years later, he travels to Houston in a cultural exchange program invited by the artistic director Ben Stevenson and he is promoted to principal dancer of the Houston Ballet. Meanwhile he secretly dates and falls in love with the dancer Elizabeth Mackey. When the China's government asks Li Cunxin to return to his country, he marries Liz and defects to USA. He is forbidden to return to China and has no news of his parents and family. Meanwhile, his marriage with Liz ends and he misses his parents. But five years later, he has a great surprise during a performance. |
Raise the Red Lantern - Movie
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Raise the Red Lantern (Chinese: 大红灯笼高高挂; pinyin: Dà Hóng Dēnglong Gāogāo Guà) is a 1991 film directed by Zhang Yimou and starring Gong Li. It is an adaption by Ni Zhen of the 1990 novel Wives and Concubines by Su Tong. The film was later adapted into an acclaimed ballet of the same title by the National Ballet of China, also directed by Zhang.
Set in the 1920s, the film tells the story of a young woman who becomes one of the concubines of a wealthy man during the Warlord Era. It is noted for its opulent visuals and sumptuous use of colours. The film was shot in the Qiao Family Compound near the ancient city of Pingyao, in Shanxi Province. Although the screenplay was approved by Chinese censors, the final version of the film was banned in China for a period. Described as "one of the landmark films of the 1990s" by Jonathan Crow of Allmovie, where it received 5 stars, since its release Raise the Red Lantern has been very well received. James Berardinelli named it his 7th best film of the 1990s. |
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Seven Years in Tibet - Movie
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Seven Years in Tibet is a 1997 American biographical war drama film based on the 1952 book of the same name written by Austrian mountaineer Heinrich Harrer on his experiences in Tibet between 1944 and 1951 during World War II, the interim period, and the Chinese People's Liberation Army's invasion of Tibet in 1950. Directed by Jean-Jacques Annaud and starring Brad Pitt and David Thewlis, the score was composed by John Williams and features cellist Yo-Yo Ma.
In the story, Austrians Heinrich Harrer (Pitt) and Peter Aufschnaiter (Thewlis) are mountaineering in British India in an area that is now Pakistan. When World War II begins in 1939, their German citizenship results in their imprisonment by the British in a POW camp in Dehradun in the Himalayan foothills, in the present-day Indian state of Uttarakhand. In 1944, Harrer and Aufschnaiter escape the prison, and cross the border into Tibet, traversing the treacherous high plateau. While in Tibet, after initially being ordered to return to India, they are welcomed at the holy city of Lhasa, and become absorbed into an unfamiliar way of life. Harrer is introduced to the 14th Dalai Lama, who is still a boy, and becomes one of his tutors. During their time together, Heinrich becomes a close friend to the young spiritual leader. Harrer and Aufschnaiter stay in the country until the Chinese military campaign in 1950. |
The Blue Kite - Movie
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The Blue Kite (simplified Chinese: 蓝风筝; traditional Chinese: 藍風箏; pinyin: Lán fēngzheng) is a 1993 drama film directed by Tian Zhuangzhuang. Though banned by the Chinese government upon its completion (along with a ten-year ban on filmmaking imposed on Tian), the film soon found a receptive international audience. Along with Zhang Yimou's To Live and Chen Kaige's Farewell My Concubine, The Blue Kite serves as one of the quintessential examples of China's Fifth Generation filmmaking, and in particular reveals the impact the various political movements, including Anti-Rightist Movement and Cultural Revolution, had upon directors who grew up in the 1950s and 1960s.
The story is told from the perspective of a young boy (铁头, Tietou, literally meaning 'iron head') growing up in the 1950s and 1960s in Beijing. Three episodes – Hundred Flowers Campaign, the Great Leap Forward and the Cultural Revolution – show the family members evolving, e.g. from the real father, the "loving patriarch," to the protective but unemotional stepfather. The film won the Grand Prix at the Tokyo International Film Festival, and Best Film at the Hawaii International Film Festival, both in 1993. |
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The Last Emperor - Movie
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The Last Emperor is a 1987 epic biographical film about the life of Puyi, the last Emperor of China, whose autobiography was the basis for the screenplay written by Mark Peploe and Bernardo Bertolucci. Independently produced by Jeremy Thomas, it was directed by Bertolucci and released in 1987 by Columbia Pictures. Puyi's life is depicted from his ascent to the throne as a small boy to his imprisonment and political rehabilitation by the Communist Party of China.
The film stars John Lone as Puyi, with Joan Chen, Peter O'Toole, Ruocheng Ying, Victor Wong, Dennis Dun, Ryuichi Sakamoto, Maggie Han, Ric Young, Vivian Wu, and Chen Kaige. It was the first occidental feature film for which the producers were authorized by the People's Republic of China to film in the Forbidden City in Beijing. It won nine Academy Awards, including Best Picture and Best Director. The film received critical acclaim. On Rotten Tomatoes, it has a 92% "Certified Fresh" score based on 59 reviews, with an average rating of 8.1/10. The site's consensus states: "While decidedly imperfect, Bernardo Bertolucci's epic is still a feast for the eyes." Metacritic reports a 76 out of 100 rating based on 15 critics, indicating "generally favorable reviews". |
To Live - Movie
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To Live (Chinese: t 活著, s 活着, p Huózhe), also titled Lifetimes in some English versions, is a Chinese film directed by Zhang Yimou in 1994, starring Ge You, Gong Li, and produced by the Shanghai Film Studio and ERA International. It is based on the novel of the same name by Yu Hua. Having achieved international success with his previous films (Ju Dou and Raise the Red Lantern), director Zhang Yimou's To Live came with high expectations. It is the first Chinese film that had its foreign distribution rights pre-sold.
The film was banned in mainland China by the Chinese State Administration of Radio, Film, and Television due to its critical portrayal of various policies and campaigns of the Communist government. In addition, Zhang was banned from filmmaking for two years. To Live was screened at the 1994 New York Film Festival before eventually receiving a limited release in the United States on November 18, 1994. |
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Yellow Earth - Movie
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Yellow Earth (simplified Chinese: 黄土地; traditional Chinese: 黃土地; pinyin: Huáng tǔdì) is a 1984 Chinese drama film. It was the directorial debut for Chen Kaige. The film's notable cinematography is by Zhang Yimou. At the 24th Hong Kong Film Awards ceremony on 27 March 2005, a list of 100 Best Chinese Motion Pictures was tallied, and Yellow Earth came in fourth. The film was produced by Guangxi Film Studio (simplified Chinese: 广西电影制片厂; traditional Chinese: 廣西電影製片廠; pinyin: Guǎngxī Diànyǐngzhìpiàn Chǎng).
Yellow Earth is set in Shaanxi, a province of central China, in early spring 1939. The Chinese Communist Party and the Kuomintang have stopped fighting one another and are working together to overwhelm the invading Japanese. The provinces are divided into Kuomintang-controlled areas and Communist-controlled areas. Shaanxi is divided into three sections: the northern and southern parts are controlled by the Kuomintang, and the middle by the Communists. Because of their co-operation, navigation between the areas is permitted. |
